Please join us to celebrate the publication of our latest anthology!
Meet Me There: Essential Queer Voices of U.S. Poetry, hosted by Charis Books
With Samuel Ace, Jos Charles, Rajiv Mohabir, Christopher Nelson, and Magdalena Zurawski
Please join us to celebrate the publication of our latest anthology!
Meet Me There: Essential Queer Voices of U.S. Poetry, hosted by Charis Books
With Samuel Ace, Jos Charles, Rajiv Mohabir, Christopher Nelson, and Magdalena Zurawski
Please join us to celebrate the publication of two new titles from our catalog!
“I come to this anthology having languished, having felt benumbed, having come to question, at my very core, poetry’s value, its potency, as we contend with our current brand of American tyranny, our Hour of Lead. As I read Essential Queer Voices of U.S. Poetry, I experience an incremental awakening, or re-awakening. Every poem, every phrase in every poem, clicks a small switch in me that had been shut down, repairs a blown fuse, brings a wound into the light, provokes it into being, or staunches it. The exhilarative truth-telling and wit, the poems that walk the page with a humble gait, and those that ego-strut, the foundational voices and the newly arrived, remind me of what poetry has been in similarly oppressive times, its capacity for liberative endurance. From the first lines of the opening poem, Frank Bidart’s ‘Queer’—Lie to yourself about this and you will / forever lie about everything—an entreaty against self-deception, we find ourselves in veracity’s realm, where language reigns free. … The lines of these poems accordion, inhale, exhale, serpentine, straighten, curl. A carnival of approaches to diction, positionality, structure, song. This anthology is not representative of a sector of American poetry. It is American poetry. The party contains multitudes and hints at multitudes to come. When I reach the last lines of the final poem, torrin a. greathouse’s ‘On Using the Wo|men’s Bathroom,’ I am no longer numb.”
—Diane Seuss, winner of the Pulitzer Prize
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Join us in celebrating the publication of the second anthology in the Essential Voices series!
“The exhilarative truth-telling and wit, the poems that walk the page with a humble gait, and those that ego-strut, the foundational
voices and the newly arrived, remind me of what poetry has been in similarly oppressive times, its capacity for liberative endurance.” —Diane Seuss
Virtual Readings:
January 23, 7:30 p.m. (Central): Derrick Austin, Robin Becker, Rachel Mennies, Ruben Quesada, Mark Wunderlich —register here—
January 25, 8:30 p.m. (Central): Richard Blanco, James Allen Hall, Jennifer Perrine, Catherine Pond, Magdalena Zurawski —register here—
February 20, 8:30 p.m. (Central): Brian Blanchfield, Dorothy Chan, Eduardo C. Corral, Randall Mann, Brian Teare —register here—
February 22, 7:30 p.m. (Central): Meg Day, Jan-Henry Gray, Richie Hofmann, Rebecca Seiferle, Shelley Wong —register here—
April 14, 3:00 p.m. (Central), with The Poets Corner: Rick Barot, Ellen Bass, Richard Blanco, Lee Ann Roripaugh, Charif Shanahan —forthcoming—
May 9, 6:30 p.m. (Central), with Meet Me There Reading Series: Samuel Ace, Christopher Nelson, and others —forthcoming—
Association of Writers & Writing Programs Conference, Kansas City Convention Center, Room 2503AB:
February 9, 1:45 p.m. (Central): Lisa Dordal, Marcelo Hernandez Castillo, Donika Kelly, Paul Tran
Get your copy of the anthology in our store!
100 Poets for the Present and Future.
The Essential Voices series intends to correct misrepresentation and misunderstanding in the broader culture. At its heart is the ancient idea that poetry can reveal our shared humanity. This anthology features 100 poets who illuminate the queer experience in the U.S., including Kaveh Akbar, Rick Barot, Frank Bidart, Richard Blanco, Jericho Brown, Franny Choi, CAConrad, Natalie Diaz, Mark Doty, Nikky Finney, Nikki Giovanni, Marilyn Hacker, Robin Coste Lewis, Timothy Liu, Eileen Myles, Carl Phillips, Justin Phillip Reed, Kay Ryan, Sam Sax, Richard Siken, Danez Smith, Ocean Vuong, and many others. Diverse in styles, subjects, and demographics, the book is a mirror to the lived experience of nearly one century of gay, lesbian, bisexual, and transgender poets.
Congratulations to Ryler Dustin on Something Bright being a finalist for the Eric Hoffer Award in the chapbook category! Many poems in the chapbook are part of a longer manuscript, Trailer Park Psalms, which received the Agnes Lynch Starrett Poetry Prize.
Flesh-plastique, Dennis Hinrichsen’s tenth full-length collection, explores an array of debris fields, where we experience the repercussions of a life fueled by dirty, secular Eucharists. Moving at hyper speed through worlds—a compromising job in the nuclear industry, the purloined grave of the Apache chief Geronimo (not far from Atomic Annie, a cannon that could shoot a nuclear projectile)—Hinrichsen articulates each scene with a swift directness and capacious emotional range. In collages and atmospheric lyrics with stunning formal collisions, we hear anger and humor directed at the mess we have made of things, from the unsolved problems of nuclear waste and toxic forever-chemicals to the decay of the American family. But we also hear joy for the sheer pleasure of music and old technologies; we hear compassion for friends stricken with dementia; and ultimately, we hear notes of hopefulness for a world which swirls wildly and dangerously around us.
Pre-order here! March 21, 2023, publication date.
Praise for Flesh-plastique
In a nuclear age without a nucleus to cling to, the poems of Dennis Hinrichsen’s Flesh-plastique flit and careen across time and space, both dexterously and dangerously—grieving, grooving, lusting, waiting—and showing us how to live—fully live!—between an unsettled past and an uneasy future: “I too am cut with Eros and toxicity—fearing death—by isotope and viral load—but still pursuing nakedness.” A searing, audacious, deliberative book.
—Lauren Russell
In Flesh-plastique, Dennis Hinrichsen is once again, and even more vigorously, a formal genius, every page engineered into a canvas of airborne lines, charted space, and radical gifts of punctuation that feel like symbols and stamps—sometimes even scars. His words throughout gleam intensely personal and political, often at the same time: wounded lands of heart and world. Sometimes they are not easy words or comfortable or cozy words, but they are honest and longing—absolutely human in their undisguised vulnerability.
—Maureen Seaton
We are honored to receive a Midwest Book Award for Essential Voices: Poetry of Iran and Its Diaspora, best poetry anthology of the year! It really is a unique and powerful collection. Featuring 130 poets and translators from ten countries, the book takes the position that Iranian and Iranian diaspora poetry should share the same space; the conflation reminds that cultural identity transcends nationality. With an in-depth, illuminating introduction by Kaveh Bassiri, the book is appealing to scholars, poets, historians, students, and general readers. Order your copy here.
Selected from 400 manuscripts in our chapbook open-reading period, Ryler Dustin's Something Bright will be published this fall! It is available for pre-order here; two poems from the collection, "Trailer Park Psalm" and "Love Poem," are featured in our new issue.
"The exquisitely haunting poems in Something Bright are steeped in memory and longing and reverence for the world, imperfect as it may be. ... Dustin finds something precious even in 'the rampant damages of love' and celebrates how 'the forbidden holds inside of it the holy.'" —Grace Bauer, author of Unholy Heart: New and Selected Poems
"[Dustin's poems] are offered with a gentle quiet that gives way to the quiet in me ... similar to how a walk in the forest allows us to join the conversation of silence that passes between the trees."—Anis Mojgani, Poet Laureate of Oregon
"With real clarity, these poems meditate on the persistence of memory, the difficulties of love, and the curiosities of ecology, always offering us voyages toward knowledge, awe, and an invigorated sense of self." —Kevin Prufer, author of The Art of Fiction: Poems
Ryler Dustin is the author of the poetry collection Heavy Lead Birdsong from Write Bloody Publishing. Born and raised in the Pacific Northwest, he has represented Seattle on the final stage of the Individual World Poetry Slam, and his poems appear in American Life in Poetry, The Best of Button Poetry, Gulf Coast, Verse Daily, The Best of Iron Horse, and elsewhere.
If you will be attending the AWP conference in Philadelphia, please join us for a reading from Essential Voices: Poetry of Iran and Its Diaspora: Friday, March 25, at 9:00 a.m. (Eastern Time). Four wonderful poets and translators will share work from the anthology: Athena Farrokhzad, Armen Davoudian, Kaveh Bassiri, and Sholeh Wolpé. More details about the event are here. Hope to see you there! And do stop by our table (1247) and say hello.
We are delighted to announce that Robin Tomens has won the second Wishing Jewel Prize, awarded for an innovative manuscript that challenges expectations of what a book of poems can be! Resurrecting seemingly obsolete technology, Tomens uses a typewriter to create evocative visual poems that both invite and resist being read. Invigorating and a little disorienting, one comes away from these poems with the mind aswim in possibilities. You Would Say That will be published this summer. Pre-order your copy here; it’s not a book to be missed.
”Using typewriters, print, acrylic, carbon paper, and pen, Robin Tomens in You Would Say That playfully captures that ‘chattering’ in his head ‘that won’t stop’ as he unmoors letter from word, word from sense, each poem typed and retyped, layering the page. Sometimes a piece crystallizes out of that atomic layering into a moment of familiar clarity. A word or phrase. A complete sentence. And then, as often as not, a piece simply, beautifully—I think happily—stalls in a ruckus built for the eye. Page by page, Tomens not only maps the angularity and dynamics embedded in visual poems but simultaneously reveals the angularity, the false starts, the do-overs, the frustrations, in the process of that utterance. Tomens’ You Would Say That is a tactile, pleasurable read—ink on the hand, ink in the eye—that cuts to the heart of the alchemy between letter and word, and ultimately, thinking.” —Dennis Hinrichsen, author of schema geometrica, winner of the inaugural Wishing Jewel Prize
"Robin Tomens’ You Would Say That explores the dead language of manual typewriters, a poetry which chatters from craft to architecture. The familiar logic of the typewriter, the anchor of our desk, slips away and letters slide off the grid into a choreographed questioning, pirouettes of punctuation. Hold tight, read differently, and open your mind to an atomistic collision, bonds forming and breaking in a bountiful microscopic ballet."
—Derek Beaulieu, Banff Poet Laureate
About the Author
Robin Tomens has been making art since producing zines in the Punk era. His multimedia collages and visual poetry have been featured in the exhibition Visual Poetry on the Page: With, Within, and Without the Word and with The Tunnel collective in London. Timglaset (Sweden) and Redfoxpress (Ireland) have published his booklets; his work has also appeared in Le Monde Diplomatique and Explorations In Media Technology. His art has been used for album covers, and he makes his own artist’s books, most recently a collection of typewriter art called Yes I No. He has also written a book on Jazz, Points of Departure: Essays on Modern Jazz (Stride, 2001) and contributed to Cut Up! (Oneiris Books, 2014). He lives in London.
A fond thank you to everyone who sent a manuscript for us to consider. It has been an honor to be entrusted with so much fine work. Sincere congratulations to the finalists, whose work we found truly remarkable:
Aimee Wright Clow’s Dear, A Ballerina
James D’Agostino’s The Goldfinch Caution Tapes
Carol Ann Davis’s From Their Salts
Denise Duhamel and Maureen Seaton’s Tilt
Molly Fuller’s Honey Suckle Wolf
Rae Gouirand’s The Velvet Book
Don Hogle’s Meet Me at Waterloo Station
Donald Platt’s Tender Voyeur
Dan Rosenberg’s Esau
Brilliant in its treatment of childhood, brotherhood, and war, James Hoch’s Radio Static is the selection from the 2020–21 chapbook open-reading period. It can be pre-ordered here for a December 21 publication. And join us on February 1 for James’ reading from the chapbook. Register here.
Praise for Radio Static
James Hoch is a visionary, able to find meaning in everything around him—dreams intersect with fields of poppies, a brother embodies a misguided war. His language is both precise and reckless—each word like a thread he’s been gathering his entire life, which he somehow weaves into broad fabrics of sound, into delicate tapestries that somehow stand before us, breathing. These poems are alive.
—Nick Flynn, author of This Is the Night Our House Will Catch Fire
“Sometimes standing beside him, / I hear the wind whistling / through my brother,” James Hoch writes, in this spare, beautiful sequence about America’s newest generation of forgotten soldiers. These are heartbreaking poems that bear witness to both the devastation of war and the quiet ravages of coming home.
—Patrick Phillips, author of Elegy for a Broken Machine
“I love the only way I can,” writes James Hoch, and that love is woven throughout this excellent treatise on compassion and masculinity. Hoch knows a great deal about the complexities and solace of brotherhood, and in these poems we experience an endangered tenderness—the recognition that another can be both yourself and not yourself at the same time. This willingness to grapple with differences and come away with a connection merits your attention. Pick up the walkie-talkie and you will hear “each calling the other: / You there? You there?”
—Elizabeth Scanlon, editor, The American Poetry Review
Join us Tuesday, November 9, at 8:00 p.m. CST to hear Richard read from his new magical book, which sings of the daily joys and transcendent sorrows.
Praise:
There are so many pleasures to be found in The Minor Key, and as much celebration here as lament. Sure, Jones like Keats gluts his sorrows—in the tender manner he dresses his mother who suffers from dementia or invites the Buddha in for tea and discussion of the first noble truth, and his acknowledgement of the gift of becoming invisible in old age. By turns retrospective, imaginative, and formal, Jones unfolds these new poems with his characteristic, cheerful directness and urgency. We often don’t know where he’s leading us nor toward what revelation, but we hold on to these poems as we do to our lives and to each other, “happy, / if happy is the word for the way this feels.”
—David Axelrod
Invoking the melancholic nature of the minor key, this fine book is acutely aware that melancholy’s great practitioners, like John Keats and Robert Burton, also celebrate life. Richard Jones’ poems remind us that it is our duty to remain “shining as best we know how, brightly together.” Not afraid to ask the difficult questions—What should I have done with my life? How does one get on with living?—Jones is equally committed to seeing “the sunlit summer sumacs sparkling,” to finding answers to life’s large questions. Here are poems that console without sentimentality and see clearly without falling into easy, unheroic despair.
—Michael Blumenthal
Richard Jones gives us melancholy music in The Minor Key, but a music so suffused with tenderness that all suffering trembles into love and light. These poems arise from “blue notebooks,” travel the world, and return to rooms lit by candles or to a backyard full of roses, visited by fox and deer, where two people sip perfect martinis as evening falls.
—Kathleen Kirk
Join us Tuesday, October 12, at 8:00 p.m. (CST) to hear Dennis Hinrichsen read from his new collection, schema geometrica, winner of the inaugural Wishing Jewel Prize.
Praise:
Some of us are content to rearrange the furniture. Dennis Hinrichsen has dismantled the walls, attached a wheelbase to the flooring, and reconfigured the power lines. And wait, I think he has levitated the shrubbery too. But fear not. Page by page and image by image, he leads us through the time- and memory-altering adventure that is schema geometrica. The poems are wild and rigorous at once, joyful and irreverent, abundant with intellect, and sometimes, yes, driven by rage at the wreckage we have made around us. This is not a comfortable couch of a lyric vision. This is lyric determined to imagine a future, and I admire it deeply.
—Linda Gregerson
schema geometrica is a “box of light” whittled from a life marred by darkness. Biblical ekphrasis & Daft Punk, Godzilla & gonorrhea, an extinct paddlefish & an Instagram model’s bodily brand of philanthropy—there are no subjects Dennis Hinrichsen can’t juxtapose & wield like a gilded mirror to orient the self in this confounding era. Lyrically dexterous, formally inventive, & humming with vulnerable surprise, schema geometrica is the work of a master poet.
—Marcus Wicker
Please join us for two evenings of poetry to celebrate the publication of our groundbreaking anthology, Essential Voices: Poetry of Iran and Its Diaspora, which features 130 poets and translators from ten countries.
October 19 at 8:00 p.m. (CST) — register here —
Mansour Alimoradi, Kaveh Bassiri, Mandana Chaffa, Amin Fatemi, Mahdi Ganjavi, Fayre Makeig, Daniel Rafinejad, Parisa Saranj, Chad Sweeney, Ali Zarrin
October 20 at 8:00 p.m. (CST) — register here —
Roja Chamankar, Armen Davoudian, Tyler Fisher, Gary Gach, Persis Karim, Haidar Khezri, George Reiner, Siavash Saadlou, Niloufar Talebi
Click here to listen to a conversation about and readings from Essential Voices: Poetry of Iran and Its Diaspora, featuring host Nikia Chaney, editor Christopher Nelson, Armen Davoudian, Farnaz Fatemi, Persis Karim, and Arash Saedinia. This podcast aired Aug. 22, 2021, on KSQD, 90.7, Santa Cruz.