The Mummy                                                                                                         —Ace Boggess
                                     Universal Pictures, 1932


From Philosophy 101, theories of existentialism,
there are two types of immortality:
that of the body, & the other a desire
to be remembered after death.
It’s what we want: to leave behind a child, 
book, sonata, a single mark on a scrap of paper
or written in genetic code. Imhotep

preferred the former, calling on old gods
for flesh transcending years, & love.
What does it mean to say love you forever?
Where do the stars end? Where
does the candle flicker into smoke & ember?
Love must seem more cliché than truth
when four thousand years have passed.

Karloff, who played that scrawny lamppost
of a priest lives on in the latter: an accident
of time & the art of being monstrous.
He had such a memorable presence on film
like the soundtrack to Star Wars
or the voice of Elvis crooning forever
to all his now forgotten Girls! Girls! Girls!


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Ace Boggess is author of two books of poetry, most recently The Prisoners (Brick Road, 2014), and the novel A Song Without a Melody (forthcoming from Hyperborea Publishing). His poems have appeared in Mid-American Review, North Dakota Quarterly, cream city review, American Literary Review, and many other journals. He lives in Charleston, West Virginia.

ISSN 2472-338X
© 2016