Frannie Lindsay


Bead


                                     
I still have the shirt he wore to the doctor
the day she took both his hands
and looked into his milky eyes
and told him
as if it were some kind of blessing.

None of us cried, none of that, instead
we sat in an awkward huddle and skimmed
the scan report, all seven single-spaced pages
making no sense, especially to him,
who swore to God

that a life was a string of beads
made of single bright days,
and all you needed to do to be happy
was thread them, now and then hold your strand
up to whatever light there was, but always

keep a firm grip on the bead
you were passing your red string through
that very moment. Then go back
to your stringing, and go back
again, until they were gone.


 


After



No one died in your bed.
It is clean today as a plot
of daylight. The sheets
are new, the pillows nestled

like well-nourished children.
The packets of square blue swabs
for your lips, the folded diapers,
the delicate syringes: these

were props. Someone prays
as the wind grabs bone specks
away from her palms. The wind
has other blowing to do.

Someone cries, and the months
don't care. Someone tends
the plants and they bloom.
As if informed, the mail

stops. Then God appears
as a story, or as the breeze
where a story belongs:
you died

in your bed. We came.
We held your face. Summer
came too. We had to
allow her in.


Elegy Against Itself



hated the winter mornings sunless as bedpans
hated the unsugared tea of nightfall in January 

hated the bedside evenings
the orchid-pink morphine lined up in its syringes
like nervous girls at a dance 

hated reading aloud
hated my voice but the words forward-marched
day by dry-mouthed day 

hated the lamp kept on and your lit sleep 

hated the nonrefundable season tickets the memberships 

the bursting compost the fruit flies
dog-paddling in dishwater 

margaret's vacuum cleaner
its every thursday no-matter-whatness 

now I box up the soapstone peppermill
wrap the owl collection in undershirts 

press orange dots on the paintings I want 

make room on my shelves 

leave your moccasins
on the rocking chair I won’t go near 

a clean white sock rolled into each
like a fist in a mouth

 

Also by Frannie Lindsay: "Prayer for My Rapist," "The Rabbits of Upland Road"


Frannie Lindsay

Frannie Lindsay’s sixth volume, The Snow's Wife, is forthcoming from Cavankerry Press this fall. Her honors include the Benjamin Saltman Award, Washington Prize, May Swenson Award, and Missouri Review Prize, as well as NEA and Massachusetts Cultural Council fellowships. Lindsay’s work appears in the Atlantic Monthly, The American Poetry Review, The Yale Review, Field, Plume, The Adroit Journal, and Best American Poetry.  She teaches workshops on grief and trauma. She is a classical pianist.

ISSN 2472-338X
© 2020