Sarah Heady
from The Hudson Lines
Sarah Heady


from The Hudson Lines


particolored lily
pads consume an inlet
below Poughkeepsie, lightning

across the reach

this one: this one right now
is the real one

it’s as if we are night
itself falling
over itself:
                        which is mind

                        which is path

                        to a vista of a distance


escarpment      upon                escarpment      upon
                        escarpment

the process empties


we slow, see only

the wavering orange snake
            of a lamppost’s
            work on the blue-black river   

“New Hamburg will be next”

my pinky inked
heavily on a single knuckle

I have only one memory of this station

            —high school boyfriend,
            winter morning, visible breath—

it passes.

my parents are waiting

                                                (still)

to pick me up at the end of the line


but I can’t come back

                               or perhaps

            I can only ever come back

            I can only sense distance     

                        the sort that precedes desire

and keeps my body tense

the constraint is
                                                            continuity


boundaries hold / home

doesn’t / dissolve

the single neon / OPEN

sign at Ossining


means the same thing it did five years ago


(photos © Sarah Heady)


Review of Sarah Heady’s Comfort


Sarah Heady is a poet and essayist interested in place, history, and the built environment. She is the author of two full-length poetry collections, Comfort (Spuyten Duyvil, 2022, finalist for the National Poetry Series) and Niagara Transnational (Fourteen Hills, 2013, winner of the Michael Rubin Book Award). She is also the librettist of Halcyon, a documentary opera about the death and life of a women’s college. Her latest project, The Hudson Lines, was a semifinalist for Tupelo Press’ 2025 Helena Whitehill Award and Dorset Prize and received an honorable mention for Green Linden Press’ 2025 Wishing Jewel Prize. Sarah’s writing has appeared in such journals as FenceJewish Currents, Chartreuse, Speculative Nonfiction, Contra Viento, Ghost Proposal, and OmniVerse. She is the recipient of residencies from the Corporation of Yaddo, In Cahoots, Bethany Arts Community, and Art Farm. Raised in the Hudson River Valley of New York State, she now lives in San Francisco.

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